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Mozart in Prague, by Daniel E. Freeman
Download PDF Mozart in Prague, by Daniel E. Freeman
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One of the most intriguing questions in all of music history is why the people of 18th-century Prague were Wolfgang Amadeus Mozart's most ardent admirers.- both during his lifetime and following his untimely death. Dr. Daniel E. Freeman's MOZART in PRAGUE combines scholarly expertise and personal appreciation for one of the world's most beautiful cities to answer this question definitively. Bringing to life the richness of Czech history and the cultural vibrancy of 18th century Prague, Dr. Freeman's MOZART in PRAGUE vividly depicts Mozart and his contemporaries including the librettist Lorenzo da Ponte, composer Josef Mysliveček, Prague musical icons František and Josefa Dušek, the legendary Giacomo Casanova, Marie Antoinette, the emperor Leopold II, and many others, explaining how the composer's ties to Prague resulted in such masterpieces as DON GIOVANNI, LA CLEMENZA di TITO, the "PRAGUE" SYMPHONY, and more. Musicologist Dr. Daniel E. Freeman is the world's leading authority on 18th-century Czech music who was born outside of the Czech Republic. He teaches music history at the University of Minnesota and has appeared frequently as a lecturer at the Smithsonian Institution in Washington, D.C., and at scholarly conferences throughout the United States and Europe. His additional works include JOSEF MYSLIVEČEK: "IL BOEMO" - THE MAN and HIS MUSIC, and THE OPERA THEATER of COUNT ANTON VON SPORCK.
- Sales Rank: #1572490 in Books
- Published on: 2013
- Number of items: 1
- Binding: Paperback
- 334 pages
Most helpful customer reviews
6 of 6 people found the following review helpful.
Mozart would be proud
By Mary-Louise Clary
.....a compelling, scholarly and very accessible book depicting Mozart's relationship with the culturally rich city and its citizens.
Dr. Freeman has written a seamless, historical account of Mozart, Prague and their intersection. Freeman immerses the reader in eighteenth century Bohemia through the use of primary source material, genealogies, etchings, maps and photos.
From the first line of the introduction, the reader has a sense of personal presence in the streets of Prague, "The weather of Vienna on the afternoon of 6 of December 1791, unseasonably mild but foggy, should have provided the perfect contemplative atmosphere for the mourners who attended the ceremony in St. Stephen's Cathedral that preceded the burial of Wofgang Amadeus Mozart."
Section One is devoted to describing the history of 18th century Bohemia and the importance of music in the lives of the Bohemian people. Section Two focuses on the specific experiences of Mozart in Prague between 1787 and 1791, as well as the reaction to his death by its citizens. Section Three addresses the musical works written specifically for Prague, including Don Giovanni and The Prague Symphony. The Appendices contain surveys of the musical numbers in the Prague version of Don Giovanni and La clemenza di Tito, sites in Prague that Mozart visited that are still there today, and a history of the blood lines of early Czech rulers (pre 1471) which run through all the current European monarchs.
The incorporation of Czech history, Mozart's musical compositions related to Prague and chronological depiction of Mozart's time there, culminates in a tome appealing to musicologists, musicians, music lovers, and historians alike.
2 of 2 people found the following review helpful.
Good for music history buffs
By Richard Harmon
A remarkable achievement. In-depth research via the press, private diaries and letters, plus a wide review of the life of Mozart as written up through the 1800s, and now reviewed through an academic lens for accuracy and plausibility. All very good. The drawback in this book is its plodding academic style and the mediocre editing. There are messy paragraphs in which logic goes astray, as well as quite a few grammatical errors. There is a glaring error on page 135 (repeated on page 177) when the author gets a musical citation wrong: it's the quintet in Act I of "The Magic Flute" that starts with humming, not the quintet in Act II. There may be other missteps.
If you can slog through the first two chapters, you'll be rewarded when Mozart appears.
I wish the map of Prague were better, with a scale and the river named and its flow indicated. A larger map of the non-defined term "Bohemian lands" would be helpful also. Similarly, a biographical list of major characters who appear throughout this book!
0 of 0 people found the following review helpful.
Freeman in Print at Last
By Manya
This is a book I have waited for, for a long time, from my favorite lecturer on classical music. Freeman simply has no rival in his ability to make the lives and works of the great composers fascinating.
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